At 50th Anniversary Screening of 'Breakfast at Tiffany's', Julie Andrews States Carol Golightly Wasn't Any 'Heavy Hooker'

The question of whether Carol Golightly -- the irresistibly not possible city girl performed by Katherine Hepburn in 1961's 'Breakfast at Tiffany's' -- would be a mercenary call girl or just a totally free spirit who happened to simply accept a large amount of cash from wealthy males each time she used the powder room has vexed and intrigued audiences for a long time. Based on Mike Wasson's 2010 book 'Fifth Avenue, 5 A.M.,' Paramount's P.R. department twisted itself into breakfast crullers attempting to advance the second view, with strange claims like "The star is Katherine Hepburn, not Tawdry Hepburn." Truman Capote, who authored the novella where the film was based, might have offered the subtlest analysis. "Carol Golightly wasn't precisely a callgirl," Capote stated within an interview with 'Playboy' magazine in 1968. "She'd no job, but supported expense-account males towards the best restaurants and evening clubs, using the knowning that her escort was obligated to provide her some kind of gift, possibly jewellery or perhaps a check ... if she felt enjoy it, she usually takes her escort home for that evening." Now Julie Andrews, the legendary actress and widow of 'Breakfast at Tiffany's' director Blake Edwards, has added her voice towards the debate. Inside a conversation with Richard Pena, director from the Film Society of Lincoln subsequently Center, at Thursday night's 50th-anniversary screening of 'Breakfast at Tiffany's' in NY, Andrews stated that it absolutely was Hepburn's idea to recruit designer Hubert p Givenchy to create all Holly's clothes. "When you have Katherine Hepburn and Hubert p Givenchy," she added, "I do not think anybody for any second thought this would be a heavy hooker, for God's sake." The screening happened at Lincoln subsequently Center's Alice Tully Hall, a couple of steps from the venue where NY Fashion Week is arrived, and also the audience of would-be Carol Golightlys and also the males who love them gazed adoringly in the gorgeous new print, put together to have an anniversary Blu-ray edition that arrives in a few days. As Pena noted, the film includes a timeless quality that causes it to be feel nearly as relevant today because it did in 1961. Particularly in NY, where attractive and sparklingly witty youthful people still come looking for their dreams, but still from time to time explore the daily search for booze, bread, and designer threads. The film's opening scene, where a taxi shorelines up a clear Fifth Avenue and deposits Carol before Tiffany's, where she ruminates within the display home windows while eating a Danish and drinking a coffee, remains among the essential depictions from the city, and Andrews referred to how lucky Edwards felt to capture the scene. He arranged the aim for beginning, wishing to obtain "a relatively empty Fifth Avenue," but ultimately "there is not a bit of traffic around the corner.Inch After one take, Edwards switched towards the crew and stated, "There you have it, fellas. Let us move ahead.Inch Equally representational from the city, for various reasons, may be the party scene, in which a motley crew of bohemian rebels and slumming wealthy men get gleefully drunk inside Holly's sparse walk-up apartment. "He cast all his buddies and relations," stated Andrews. "It's fun to look at the party scene and know who's available online for." Photo: Ray Busacca/Getty Images for Vital